Burnt Offerings

Dan Curtis, dir., English

I watched this film using the Tubi streaming service on July 8, 2026 in the comfort of my own home. The algorithm suggested it to me following House of Usher, another scary movie about a haunted house.

Despite the film's many imperfections, I am delighted to have seen this movie and recommend it to any horror geek, in particular those fans of Mike Flanagan's 2018 masterpiece, The Haunting of Hill House, which borrows several visual elements from this earlier work. The greatest debt Hill House may owe to this film, however, is not strictly visual but thematic--as in its successor, Burnt Offerings offers the metaphor of a haunted house to describe the tendency of middle-class American families to destroy themselves by emulating the habits and trappings of the wealthy, particularly by answering the questions of life--especially those pertaining to mental health, happiness, and identity--by obtaining material wealth.

Unfortunately, however, as noted previously this film has many imperfections. None of the performances justify any high degree of praise, either because of uneven quality (which I feel is particularly noticeable in the case of Karen Black's leading protrayal of Marian), or because the script doesn't give the actor any big lines or scenes (Bette Davis deserved better than she got in this one), or because their characters are kind of two-dimensional (Burgess Meredith and Eileen Heckart suffer the most from this). Although I'm a big fan of Oliver Reed, particularly in his excellent performance in Ken RussellsThe Devils, this was just not his movie; I think that he is victimized by a certain tug-of-war occurring in the script where he is called upon to be both victim and catspaw to menacing spirits of the house, but it comes off being more confused than scary.

In addition to the paucity of excellent acting, the film is not particularly ambitious in its photography, and there's a distinct absence of either big scares or mood setting elements that are usually lay-ups to the correctly shot horror movie. The film deploys its singularly effective element, the rejuenvation of the parastic house, to uneven but reasonably effective result. However, at the end of the day, a house getting cleaner and nicer just isn't all that scary. Despite these flaws, I'd still recommend it to a horror fan as an imperfect but well-intentioned psychological ghost story.